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The Real Story Behind Mikimoto Jewelry



Kokichi Mikimoto is the genius behind Mikimoto jewelry. The Japanese artisan was born in 1858 and began supporting his family financially a short 11 years later. It was not until 1878 that he set up a pearl judging contest and recognized the poor quality of the products that even respected jewelry makers brought to the table. From this time on, he devoted his energy and resources to perfecting the cultivation of pearls.

Focusing on Akoya oysters as vessels for growing the layers of nacre that make the pearls, Mikimoto suffered a number of setbacks. Octopi would eat his oysters after he had already introduced particles into the animals to begin the pearl-forming process. Red tides killed numerous specimens. It was not until 1893 that his efforts finally showed success. By 1896, he was granted a patent for his cultured pearls.

Rather than resting on his laurels, Mikimoto continued his work to perfect the cultivation of the pearls. Extending his operations to the waters of Okinawa, he now took on the cultivation of a South Sea pearl.

Kokichi Mikimoto opened his very first pearl boutique in 1899. Setting up shop in Tokyo’s fashionable Ginza, the quality and size of the pearls soon made him a household name. Skillful artisans incorporated the pearls into a wide variety of jewelry designs. Before long, he expanded his business to Paris, London and other big cities across the world. Participating in London’s Anglo-Japanese Fair in 1910, he introduced many non-jewelry shoppers to his designs by displaying a fan and screen studded with pearls.

By 1926, he attended the World’s Fair and displayed a pagoda with pearls in a platinum setting. Thirteen yeas later, he displayed a pearl model of the Liberty Bell. As his international clientele grew, he never neglected his Japanese audience. Mikimoto’s name had already become synonymous with luxury jewelry but would eventually become inexorably tied to the elegant pearl jewelry pieces that royalty wore.

Although Kokichi Mikimoto died in 1954, his brand lived on. In the same year, Joe DiMaggio gave a 16-inch Mikimoto necklace to Marilyn Monroe. In 1969, the brand won the DeBeers Diamonds International Awards, which cemented the brand name in the jewelry design industry. Opening a variety of stores over the decades, the year 2001 marked the release of the Princess Grace collection. It featured the famous Monaco rose and combined pearls with precious stones in intricate designs.

By 2002, the Mikimoto Company became involved in the manufacture of the crowns for the Miss Universe, Miss Teen USA and Miss USA contests. Using white South Sea as well as cultured Akoya pearls and striking diamonds, the crowns were masterpieces. In 2006, the company brought its crown-making designs of the Pasadena Tournament of Roses parade. While remaining highly visible in international and national pageantry events, Mikimoto never lost sight of the importance of perfection in the smaller jewelry pieces that were created for the retail market.

We hope you’ll browse some of the Mikimoto jewelry we havefor sale on eBay and be sure to like us on Facebook and check out our Pinterest Boards for estate and antique jewelry inspiration!
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How Much Do You Know About Tiffany & Co. Jewelry?



In 2012, Tiffany & Co. celebrated its 175thanniversary. Its story began in 1837 as a New York jewelry store that was opened by Charles Lewis Tiffany and John Young. Over the decades, it expanded and grew to become a hallmark of the Art Nouveau movement that ran from about 1895 to 1910. Unlike so many other jewelry enterprises, the company maintained its rightful place among silversmiths and jewelry makers even after its most famous style period ended. At this time, Tiffany & Co. operates about 200 stores across the world.

When buyers think of Tiffany & Co. jewelry, they frequently associate the Art Nouveau pieces made so popular by Louis Comfort Tiffany. Already famous for his artistic design abilities by 1882, Louis was invited to redecorate the White House. His artistic designs became much sought after virtually overnight. When 1900 came around, Tiffany & Co. jewelry was widely considered to be on the cutting edge of Art Nouveau, and America’s high society became regular customers at the jewelry store.

The jewelry pieces they selected drew their inspirations from nature. Flowers and intricate plants in particular were a staple for Tiffany jewelry of the time. As other Art Nouveau jewelers took great care to use curvy features and fantastic designs of a more decorative nature, Tiffany chose to depart from the style that had made him a household name. Rather than following the same patterns that so many of his colleagues favored, he kept the nature motif but expanded on the use of acceptable plant life. It is not uncommon to see dandelions, tulips and wild carrots rather than heaving vines and colorful orchids.

Color choices were bold and busy. Celtic influences became more and more apparent. In the course of time, Tiffany jewelry would include jade, turquoise, lapis and opals. By the time the Art Deco movement was in full swing, Tiffany was still designing highly desired pieces. During Louis’ lifetime, he created about 5,500 pieces of jewelry.

Tiffany & Co. relinquished its place on the cutting edge of stylish jewelry creation by the failure to hire a new artistic director until 1955, which was more than two decades after Louis’ death. Although the newly established design director Van Day Trueux managed to land a few coups of his own, the company never recovered its place at the forefront of the artistic jewelry trade. Nevertheless, with the company’s stellar reputation firmly in place, it now created gorgeous pieces that appealed to America’s socialites and anyone else who wanted to own a piece of America’s history.

Bright gemstones, large enamel panels and ribbed bangles became the hallmarks of the various jewelry lines created by individual designers. The Tiffany & Co. stamp found on authentic jewelry is a highly coveted commodity among jewelry buyers today.

We hope you’ll browse our line-up of antique and estate Tiffany & Co. jewelry and be sure to follow us on Facebook, find us on Google+ and check out our Pinterest Boards!
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An Overview on the History of Victorian Jewelry

The Victorian era follows the time line of Queen Victoria’s reign. Beginning in 1837 and lasting until 1901, jewelry aficionados break down this rather large chunk of time into three more manageable sections.  

Early Victorian Era - Beginning with the young queens’ coronation and lasting until 1860, the year before she lost her husband (Prince Albert of Saxe-Coburg and Gotha), jewelry styles of this period featured a large number of animal themes. Exotic as well as familiar animal shapes became popular motifs. Ladies in particular augmented their jewelry collections with floral sprays and pieces that displayed the most intricate scrollwork. Mind you, women’s clothing during this time called for wide puffed sleeves and floral trims. Low necklines opened up the neck for the display of gorgeous pendants.

Grand Victorian Period - Jewelry experts generally designate the years between Prince Albert’s death and 1885 as the grand Victorian period. Living for a while as a recluse, public sentiment turned against the queen. Toward the latter part of this time, she took on the title “Empress of India,” which found expression in jewelry styles of the time. Mourning jewelry became a hot commodity and jet pieces were so sought after that cheap imitations flooded the market. India’s influence came to play in the use of colorful rosettes, heavy brooches and lockets on long chains. Frames with Etruscan style elements became favorite settings.

Aesthetic Victorian Period - Falling between 1885 and 1900, which was just one year prior to her death, the aesthetic Victorian era had begun. Marked by the queen’s golden and diamond jubilees as well as changes in fashion that called for tight dresses, jewelry pieces now focused on exquisite detail work. Scarabs, birds, insects and other nature themes set the tone. The stone of choice was the diamond, which would be surrounded with pearls and colored stones. Pieces that were more intricate even featured spring mechanisms that could be activated by pressing on a hidden lever worked into the jewelry’s décor. Another famous piece of jewelry to have made an appearance was the diamond pin.

It is sometimes difficult to differentiate between pieces of the three periods. As a general rule of thumb, the buyer of Victorian jewelry will do well to look for symbolism in the pieces. For example, seed pearls quite frequently symbolized tears while pink coral was thought to ward off disease. Not surprisingly, these elements frequently were found in Grand Victorian pieces.

In keeping with this practice, the buyer of Victorian jewels featuring grouse feet or thistles will do well to remember that they represent Scottish lore. In 1852, Prince Albert purchased Balmoral Castle in Scotland’s Aberdeenshire and presented it to the queen as a personal gift. Consequently, traditionally Scottish flower and animal motifs became a staple of early Victorian pieces.

Do you have a passion for Victorian jewelry?

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Brief History of Edwardian Jewelry




The heyday for Edwardian jewelry was the three-decade period between 1890 and 1920. Although King Edward VII only reigned from 1901 to 1910, this son of Queen Victoria wielded such influence on societal tastes and the British Empire’s trade in precious stones that his era well surpassed his actual reign. Already actively involved in politics and trade before ascending to the throne, he traveled extensively and is, therefore, credited with actively shaping the look of jewelry that members of high society would eventually accept.

The dominant jewelry style of the Edwardian era followed the garland look. Heavily influenced by Parisian haute couture and style elements made famous by Louis XVI furniture, it was common to see plenty of bows, wreaths, stars, crescents and ribbons. Floral garlands and foliate motifs rounded out the design elements. Sizes and shapes varied depending on the expense the buyer of the jewelry was willing to incur. Actual artisanship relied on saw-pierced mounts, diamonds in circular cuts and collets.

Whereas the end of Queen Victoria’s reign gave rise to the imagery of the L'Art Nouveau style with its Japanese influences, Edwardian jewelry design coincided with the influences of the Ballets Russes and Louis Comfort Tiffany. Water lilies, peacocks and orchids gave way to synthetic rubies and blue sapphires in the forms of stars and bows. Colorful exotics were suddenly the hot commodity that ladies and gents favored when buying or commissioning jewelry.

Modern collectors easily identify this type of jewelry by the emphasis on platinum as the precious metal of choice and yellow gold as a base holder for a diamond trim. Focal points were frequently larger diamonds that feature the Old European cut. Smaller diamonds served as accent pieces and favored a rose cut. Other accents included moonstones and pearls. Toward the latter part of the period - due to the war effort - platinum for jewelry-making fell out of favor and was quickly replaced with white gold.

It is interesting to note that the Edwardian periodcoincided with the passage of the United States National Stamping Act, which mandated the proper marking of silver and gold contents. When the jewelry style made it to American shores, the Stamp Act requirements further enhanced the creation of visually stunning pieces in high-quality settings.

In fact, Edwardian-style jewelry quickly became a worldwide obsession. France’s Cartier took on the challenge to fabricate adornments in the garland style. Russia’s Faberge played around with the motif as well. In the United States, Tiffany & Co. became the most famous jewelry maker to experiment with the new designs that gave the previously favored French pieces a run for the money.

As the Edwardian period came to a close in about 1920, the stage was set for Art Deco to usher in geometric shapes and chunky styles. Whimsical filigree fell out of favor and stacked jewelry as well as Egyptian and Indian design elements dominated the up and coming decade for jewelry aficionados.

What do you think about Edwardian Jewelery?

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From goddess to femme fatale, female portrayal through the centuries

From goddess to femme fatale

Female portrayal through the centuries

Antique painted miniature enameled pin diamond from the antique jewelry collection of www.adin.be
€4,450
High quality Art Nouveau pendant and brooch with plique a jour enamel from the forties from the antique jewelry collection of www.adin.be
€18,500

Click the pictures to get to their page
(or click here for all our portrait jewelry.


Romantic brooch pendant with painted miniature on ivory and paste stones from the antique jewelry collection of www.adin.be
€3,750
French Victorian hard stone cameo brooch pendant from the antique jewelry collection of www.adin.be
€2,750
Art Nouveau floral gold pin Lady profile signed Zacha from the antique jewelry collection of www.adin.be
€4,250
Plique ajour enamel Art Nouveau brooch from the antique jewelry collection of www.adin.be
€3,750
Victorian enameled brooch goddess Minerva from the antique jewelry collection of www.adin.be
€2,750
Georgian painted miniature in red gold pendant from the antique jewelry collection of www.adin.be
Decorative Art Nouveau bar brooch with rose cut diamonds and sapphire from the forties from the antique jewelry collection of www.adin.be
€2,350
Picture of Sara Montiel in blue hardstone from the antique jewelry collection of www.adin.be
 
Noble ladies from the Garden of Adin 

A wife in precious metal who can find?
She is worth far more with rubies or other gems.
Her admirers have full confidence in her
and lack nothing of value.
She brings good, not harm,
all the days of their life.

 
(Freely inspired by Proverbs 31:10-31 "The Wife of Noble Character")
 
 
 

Antiqualy yours,

The Adin team
www.adin.be










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Plique ajour enamel earrings from The Garden of Adin, where true beauty and splendour meet

Plique ajour enamel earrings

from The Garden of Adin

where true beauty and splendour meet

Plique ajour enamel Art Nouveau stained glass window earrings emaille a fenetre the antique jewelry collection of www.adin.be
(click the picture to get to these truly magnificent earrings)
 


Art Nouveau long pendent earrings - Art Nouveau as how you want it to be. The two rectangular enameled plates are made in a very special way; the so-called plique ajour enameling technique. Plique ajour comes from the French "plique-à-jour" meaning "braid letting in daylight". It is a very challanging vitreous enamelling technique where the enamel is applied in cells to give it a stained glass appearance.

However these earrings were not born as earrings. Most likely they started their life as decorative parts in a chain or dog-collar necklace in the Art Nouveau period, somewhere between 1890 and 1900. But when we bought them they were mounted together in one brooch. This brooch (actually more a bulky gold framework with a needle at the back) had all the characteristics from being made somewhere between 1930 and 1950 and was specially made to hold the two plaques.

And because the framework wasn't original and doing not much justice to the high quality of the original Art Nouveau work, we decided to remount them in a setting that would do them justice. So our master goldsmith carefully seperated them from their bulky framework and designed a refined mounting that would render their true beauty. He did so, inspired by the Art Nouveau style and imagining what and how a goldsmith from the Art Nouveau period would design them. The result is astonishing!


 

Antiqualy yours,

The Adin team
www.adin.be










P.s. Perhaps you know someone who might be interested in receiving our mails? Forward them this mail so they can subscribe themselves at: our subscription page
 
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Yellow Yellow dirty fellow

kitty cat birthday card ... 


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Ode to the ear and its jewel

Ode to the ear and its jewel


What merry fairy, oh pretty, delicious ear,
gave thee the power through centuries to maintain
a charm that soothes dull care, and laughs at pain.
A power sad ears to vitalize and cheer?

Thy chaste earlobe with chandelier,
or gems so crystal clear.
Centuries, histories eager to be worn again,
with true passion and even a little vain,
it's a pact for many a year,
as love token or souvenir.



Freely inspired by "Ode to beer" by Francis Saltus Saltus (1849-1889)
 
Antique jewelry French Victorian gold earring from the antique jewelry collection of www.adin.be
€195
Victorian crescent moon flowery gold set, earrings and brooch from the antique jewelry collection of www.adin.be
€695

Click the pictures to get to their descriptive page
or click here for all our earrings
Decorative gold Victorian earrings from the antique jewelry collection of www.adin.be
€325
Interesting gold Victorian earrings from the antique jewelry collection of www.adin.be
€275
Charming frivolous gold Victorian earrings from the antique jewelry collection of www.adin.be
€285
Dutch antique earrings Victorian bi-color gold with real orient half seed pearl from the antique jewelry collection of www.adin.be
€315
Antique flowers gold drop earrings pearls 18kt gold from the antique jewelry collection of www.adin.be
€395
 
 

Antiqualy yours,

The Adin team
www.adin.be










P.s. Perhaps you know someone who might be interested in receiving our mails? Forward them this mail so they can subscribe themselves at: our subscription page
 
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