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Showing posts with label symbolism. Show all posts
Showing posts with label symbolism. Show all posts

A tribute to French symbolic jewelry: a phoenix arising from the ashes

A tribute to French symbolic jewelry
A phoenix arising from the ashes


A tribute to French symbolic jewelry, elegant Victorian phoenix or griffin brooch with floral ornaments and rose cut diamonds from the antique jewelry collection of Adin Antique Jewelry, Antwerp, Belgium

(Click the picture to see this antique French brooch)


One of the reasons French antique jewelry is world-wide appreciated is the use of symbolism, giving the jewelry a deeper meaning. A nice example we show here. What we first thought to be a griffin turns out to be a phoenix, just based on the other symbol attributes in the brooch.

We recognize a circle (set with rose cut diamonds) with flames representing the Sun or Fire, symbols of creation and destruction. The phoenix has long been a symbol of rebirth, immortality, and renewal. The floral pattern breaking through the circle depicts the nest of aromatic branches and incense which the phoenix uses to set set himself on fire. From the ashes of that fire arises a new phoenix ...

This brooch could symbolize a transition from an old to a new era in one's life.

Antiqualy yours,


The Adin team
www.adin.be


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Conspiracy hunters of all countries, unite!

Conspiracy hunters of all countries, unite!

Gold Victorian Bishops ring with stunning enamel work, gem amethyst and hidden ring with stalking wolf Gold Victorian Bishops ring with stunning enamel work, gem amethyst and hidden ring with stalking wolf


(Click either picture to get to the complete description of these rings)

Before you start reading we apologize for a longer mail than normal but we think it's worth it. So make yourself comfortable, read and enjoy!


This week at Adin, we received the following mail:




"To Whom It May Concern,

I am writing in reference to the Gold Victorian Bishops Ring (Reference Nº: 09360-4341 ) you have shown on your website. From the lack of information you have on the ring I assume you know little of it? I on the other hand do know the significant provenance of the ring.

The ring was commisioned for my great grandfather in 1869 by, the then Roman Catholic Bishop of Paris, Georges Darboy. My great grandfather, I will not disclose his name for personal reasons, was both a member of Dutch and English aristocracy. Dutch by birth and English through marriage. Georges Darboy is one of the most prominent of all the Bishops of Paris, he was an ostentatious man and held his differences with the Pope as to hid infallibility. My great grandfather and Darboy were close friends, often visiting and hunting with one another.

The ring was made during the Franco-Prussian war as a gift to my great grandfather for funding the rebuild of a significant church or chapel (I am unsure of which) in the Paris region after it is was devastated by fire years before. My great grandfather also gifted a number of relics from his private collection to the Bishop over the years before his death.

When the ring was originally made the stone it housed was a Sapphire. By all the accounts the stone was an exception example - nearly flawless and of magnificant colour. Queen Victoria herself admired the stone in a letter to my great grandmother. Unfortunately the sapphire was accidentaly broken some years later and replaced by the current stone. We still have three rather large stones that were cut from the original broken sapphire. We also have a portrait of my great grandfather wearing the ring in 1887 with the original sapphire.

Georges Darboy was killed in Paris by the Communards during their takeover of Paris in 1871.

The ring passed to my grandfather and then onto my father. It was left accidentally in the Netherlands upon my fathers escape to England upon the Nazi invasion of the Netherlands. The ring was never seen again. It is great to see that it survived the war and subsequent years.

Unto the ring itself, the Chi-Rho is indeed a Chir-Rho but also the representation of the latin word PAX, meaning 'peace'. Darboy expressed this as his wish for peace between France and Prussia. The initials are that of my great grandfather. The inner ring with the wolf does not have any connection to the Jesuits. Neither Darboy or my great grandfather had a connection to the Jesuits. The wolf ring was made shortly after the main ring to fit my great grandfathers finger without gloves - this way he could wear it to mass. The wolf itself represents the nickname of my great grandfather.

Sadly, I am not in a position to purchase the ring but I would appreciate that the provenance of the ring be passed onto the person that does purchase the stone. I do not mind you providing this information on your website as long as no reference to myself or family are made with it.

Kind regards, *******"



Interesting, no?

We thought so too, but to make this long and interesting story even more interesting, we invite you to visit the describing page of this ring, where we pasted the same story but added a link that will please the conspiracy hunters among our customers.


Enjoy!



Antiqualy yours,
The Adin team
www.adin.be
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"The Magical Abracadabra pendant"

The Adin Museum Of Fairy Tale Artifacts proudly presents:

Victorian pendant in neo-Egyptian style with esoteric abracadabra text by Victor Hugo



"The Magical Abracadabra pendant"

Once upon a time... a long long time ago, people used to hang a piece of parchment around their neck with the word Abracadabra written down in a triangular pattern to be protected from various diseases and to be cured of fever to lead the evil energy to the ground.

The first known mention of the word ABRACADABRA was in the 2nd century AD in a Roman poem called "De Medicina Praecepta". Abracadabra sounds as the Aramaic word “Abrahadabra” which roughly translates into "I will create as I speak." it could also derive from the Hebrew “Abreg ad hãbra” meaning “strike dead with thy lightning”.

On the other side of the pendant we can read "De vos mains grossières, Parmi des poussières, Écrivez, sorcières : Abracadabra" which translates to “Witches with your raugh hands, write in the dust : Abracadabra”. This is from a text from Victor Hugo's “Odes et ballades 14”. Victor Hugo is also the author of the famous “Les Miserables”.

This pendant is simply loaded with symbolism. We also can recognize a double headed bird and two flying scarabs. Not that we know the symbolic link with the turquoise that is used but we are pretty sure it has been used for some symbolic reason too.






Antiqualy yours,
The Adin team
www.adin.be



P.s. Perhaps you know someone who might be interested in receiving our mails? Forward them this mail and they can subscribe themselves at: our subscription page




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Beautiful and romantic golden vintage cufflinks with enamel

Beautiful and romantic golden vintage cufflinks with enamel


A touch of history ...
Beautiful and romantic golden vintage cufflinks with enamel.


(you can click the picture to get to its descriptive page)

Flowers are part of our daily life. For virtually every event we have assigned a special flower. Flowers for love, church, marriage, etc. In the 16th century inn's use to have a branch or flower stalk as signboard which later often changed only into the name of a specific tree or flower. Many times one finds flower gardens in mythological sceneries. The allegoric use of flowers is uncountable: attributes for the springtime, the youth, the sunrise, the rhetoric, the virtue etc. Lots of countries carry a flower as national symbol: Hungary had the tulip and Scotland the thistle, etc.

Many pieces of jewelry in the Victorian and Art Nouveau period were adorned with flower symbolism to bring a message, a message of love in this case. These cufflinks are skilfully adorned with an ivy motive. Since time immemorial, ivy has been the symbol for reciprocated love. Sometimes (not in this case) the not-so-obvious expressive pictural message is heightened by an added text in French: 'Je m'attache ou je meurs' (I hold on or I die), referring to the manner ivy grows. A romantic pair of cufflinks indeed.

Antique jewelry object group: cufflinks
Country of origin: Although it does not carry any legible control marks we believe it is of Belgian origin.
Style: late-Victorian early Art Nouveau - (styles overview)
Style specifics: The style of this jewel announces the coming of the Art-Nouveau style.
Period: ca. 1900 (events and facts in 1900)
Source of inspiration: Mother Nature, see also flower symbolism
Theme: ivy - click here for an explanation on the ivy
Material: 18K yellow gold - (precious metals)
Technique: Enamelling is an old and widely-adopted technology. The ancient Egyptians applied enamels to pottery and stone objects. The ancient Greeks, Celts, Russians, and Chinese also used enameling processes on metal objects. Enamel is the colorful result of fusing powdered glass to a substrate by firing, usually between 750 and 850 degrees Celsius. The powder melts and flows and hardens to a smooth, durable vitreous coating on metal, glass or ceramic. According to some sources, the word enamel comes from the High German word smelzan (to smelt) via the Old French esmail. Used as a noun, "an enamel" is a usually small decorative object, coated with enamel coating, such as a champlevé or a cloisonné (different techniques).
Hallmarks: Illegible remains. - (general hallmarks info)
Condition: excellent condition - (our condition scale)
Dimensions: each side is 2.13 cm (0.84 inch) x 1.24 cm (0.49 inch)
Weight: 11.90 gram (7.65 dwt)

Reference Nº: 08328-4167


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What is nicer than the sight of one piece of antique jewelry?


answer: Two pieces of antique jewelry!

Typical regional Dutch Victorian golden filigree earrings


(you can click the picture to get to its descriptive page)


A touch of history ... Typical regional Dutch Victorian golden filigree earrings.

Though filigree has become a special branch of jewel work in modern times, it was anciently part of the ordinary work of the jeweler. A. Castellani states, in his "Memoir on the Jewellery of the Ancients" (1861), that all the jewelry of the Etruscans and Greeks (other than that intended for the grave, and therefore of an unsubstantial character) was made by soldering together and so building up the gold rather than by chiselling or engraving the material.

In Holland this type of jewelry was rather popular too, especially for the many region distinctive styles Holland had till the end of the 19th Century. By the look at their jewelry it was possible to know a lot about the wearer, his or her marital status, religion, which part of the Netherlands they came from, even the little regions. There are still a few Dutch cities where you can find older women wearing their region specific dress but it's to be expected this will be gone within one or two generations.

Because of their delicate nature, not many of this type of earrings have survived over the years. Something we as antique jewelry dealers notice as we hardly ever find them anymore.

OBJECT GROUP : earrings
COUNTRY OF ORIGIN : Although it does not carry any legible control marks we believe it is of Dutch origin.
STYLE : Victorian
PERIOD : 1870
MATERIAL : 14K yellow gold
TECHNIQUE : filigree and granulation - This jewel features a filigree decoration, which is in fact thin golden wire twisted into refined motifs, in this case elegant little balls. You can also notice the use of granulation on this piece. Granulation is a technique where the goldsmith uses very small balls (granules) of metal, which are not soldered to the piece but welded. Both techniques
demand very high skills and precision from the maker.
WEIGHT : 6.20 gram (3.99 dwt)
HALLMARKS : No trace
CONDITION : Excellent condition - (our condition scale)
DIMENSIONS : Height approx. 5.03 cm (1.98 inch)


WHEN REFERRING TO THIS PIECE : Mention the following number: 08122-4264 or click here.



WALL OF FAME:
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INVITATION:

You are always welcome to visit us in our Antwerp gallery (preferably by appointment).





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Engagement ring


A white gold wedding ring and a single-diamond, gold-banded engagement ring.

In Western tradition, an engagement ring is a ring worn by a woman indicating her engagement to be married. In some countries, such as the United Kingdom, it is worn on the left-hand ring finger, while in other countries, such as Poland and Ukraine, it is customary for the ring to be worn on the right-hand. By modern convention in countries such as the United States, the ring is usually presented as a betrothal gift by a man to his prospective bride while or directly after she accepts his marriage proposal. It represents a formal agreement to future marriage.

Similar traditions purportedly date to classical times, dating back from an early usage reportedly referring to the fourth finger of the left hand as containing the vena amoris or "vein of love".

In the United States and Canada today it is becoming more common, but still quite rare, that a woman will also buy an engagement or promise ring for her partner at the time of the engagement.

In Egypt, Brazil and many European countries, both the man and the woman usually wear engagement rings, most often in the form of matching plain bands of white, yellow, or rose gold. In these countries the man's engagement ring often also eventually serves as the wedding ring. Some men wear two rings, but this is rarer. The woman's wedding ring can sometimes have a precious stone. In Spain, the woman sometimes buys an engagement wristwatch for the man after accepting a marriage proposal.

Read more at: Wikipedia

See the engagement rings at Adin




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Griffin (or gryphon)


Gold griffin fighting over sparkling diamond egg with serpent
(you can click the picture to get to its descriptive page)



Griffin (or gryphon)

The griffin is a Greek hybrid creature, a strange and legendary figure, usually represented as being part eagle, part lion, and occasionally part serpent. The griffin motif is found in sculpture of the ancient Babylonians, Assyrians, Persians, and Romans; in beast allegories of the early Christians; and in Gothic architecture of the late Middle Ages. The griffin remains common in heraldy, representing strength and vigilance.

A hybrid is a composite of two or more species of animal and/or human. Strange as they may appear, the Greeks were endlessly fond of fabricating these creatures - one will recognize hybrids in the earliest myths and legends, not to mention inhabiting numerous works of art. For the Greeks especially, these beings of the imagination must have had great significance, in that they represented the uncivilized forces in nature that opposed mankind.

The seven most known hybrids are:

The centaur
In Greek mythology and art, the centaur has the torso of a human combined with the body of a horse.
The cockatrice
This creature was also known as a basilisk ("king of serpents"), and its very glance could kill; the cockatrice was composed of a dragon's tail and assorted poultry parts.
The giants (gigantes)
These fierce and frightening beings were the offspring of Gaia (the Earth).
The griffin
According to myth, the griffin was a creature with a lion's body attached to the head, wings, and claws of an eagle.
The harpy
Harpies had female torsos melded with vulture parts; the name harpy is derived from the Greek word that means "snatcher".
The satyrs (faun)
Satyrs were often the companions of Dionysos, and these creatures were depicted in myth and art with the legs of goats and bestial natures.
The sirens
Women with bird-like bodies; sirens were legendary for luring sailors by singing their enchanted songs.

See also our:
other griffin jewelry
our latest acquisitions
extensive antique jewelry glossary
antique jewelry style overview





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Snakes and serpents


Impressive flexible snake bracelet with rose cut diamond and big pearl
(you can click the picture to get to its descriptive page)

Snakes and serpents


The snake and its symbolic attributes have been a rich source of inspiration for goldsmiths over the centuries. Some examples of snake (or serpent) bracelets of the type of the one pictured above were already made in Greece from the 3rd century BC and also in the Roman Empire. The timeless, evocative look of antique snake jewelry makes a distinctive addition to every woman's jewelry wardrobe.

The serpent is one of the oldest and most widespread mythological symbols. Considerable overlap exists in the symbolic values that serpents represent in various cultures. Some such overlap is due to the common historical ancestry of contemporary symbols. Much of the overlap, however, is traceable to the common biological characteristics of snakes.

The following are some of the particular symbolic values frequently assiged to serpents in myth, legend, and literature:

  • guardianship
  • poison and medicine
  • renewal, rebirth, regeneration




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